
When looking at advertisements there is always a hidden message hiding behind the stillness of a photo. The representations of women, specifically the woman in the Diesel ad, are greatly depicted in a negative way. After reading Ways of Seeing by John Berger, I have a new outlook on women being the object of male and female viewing pleasures, also known as the “male gaze”. Diesel’s “Be Stupid” ad campaign represents the “male gaze” by depicting women in a passive way.
The “male gaze” as defined by Berger is that “men act and women appear.” (47) The woman shown in the advertisement is the object of the man’s desire. Her role in the advertisement is to just appear there. The woman’s sole purpose is to entertain the eyes of the viewer. In lecture, we discussed that the “male gaze” defines “women as passive, vulnerable objects to be consumed and scrutinized by a patriarchal.” (Kanagawa) The woman is being portrayed as a vulnerable object by clenching her sweater for security and leaning back submissively into the man’s face. With his hands pulling her and guiding her in whatever direction he wants suggesting she is not in control of her body. In the Diesel advertisement, the woman is shown from the waste down with a man’s mouth attentively on her backside. She is of no importance except to be the object. She is purely there for the man to use for his pleasure.
The Diesel advertisement supports the “male gaze” by presenting the woman in a subordinate role by focusing on the man’s aggressiveness toward attaining her body for his object. The ad achieved this by having the man squeezing, grabbing, and biting her butt. The “male gaze” is represented to the fullest by showing subordination, male dominance, and the objectification of women. She is shown as a passive woman that can’t fend for herself. Although this ad can be challenged and analyzed on what it represents. The main concept to take away is that if a woman is used as the pure visual pleasure for a man in an advertisement, then it is without a doubt a representation of the “male gaze.”
